Technoscience Janastu Wiki - User contributions [en]

GKDemo-Annotation

2013-02-06T07:20:39Z

122.166.93.246:

[http://team.servelots.com/my/rohit/Lepakshi_a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers (A) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

----

== Annotation of Lepakshi Murals by Rohit ==

'''Annotation of panel-a1.jpg'''

[http://team.servelots.com/my/rohit/panel-a1.jpg Panel-a1.jpg] '''

Draupadi Swayamvara, Arjuna, Krishna and Pandavas depicted

# Marked on mural as '''a''' : Krishna
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Five pandavas
# Marked on mural as '''d''' : (Still under research)

'''Annotation of panel-a4north-KIRATA ARJUNEYAM.jpg'''

[http://team.servelots.com/my/rohit/panel-a4north-KIRATA%20ARJUNEYAM.jpg panel-a4north-KIRATA ARJUNEYAM.jpg] '''

Arjuna penance, Shiva bless Arjuna

# Marked on mural as '''a''' : Arjuna in Penance
# Marked on mural as '''b''' : Arjuna bowing down to Shiva
# Marked on mural as '''c''' : Shiva blessing Arjuna

'''Annotation of panel-a7-Bhookailasa-web4mb.jpg'''

[http://team.servelots.com/my/rohit/panel-a7-Bhookailasa-web4mb.jpg panel-a7-Bhookailasa-web4mb.jpg] '''

(Followed by Male Companion) Ravana, Parvati(Drapery), Shiva in Raudra avatar(anger in the face expecting Ravana), Hayagreeva.

# Marked on mural as '''a''' : Male Companions
# Marked on mural as '''b''' : Ravana
# Marked on mural as '''c''' : Lady attendants
# Marked on mural as '''d''' : Parvati
# Marked on mural as '''e''' : Shiva
# Marked on mural as '''f''' : Hayagriva

God Shiva in dynamic action with anger is expecting the arrival of Ravana. Ravana is followed by male companion. Parvati is on Shiva's right with a lady attendant. Brushwork recreates Rudra or fierce mood of Shiva. The color contrasts with pastel shades and monochrome of male attendant with decorative draperies of Parvati with her companion.

'''Annotation of panel-A8.jpg'''

[http://team.servelots.com/my/rohit/panel-A8.jpg panel-A8.jpg] '''

This mural depicts Rama holding bow. Other images are still under research

# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Rama

'''Annotation of panel-a9.jpg'''

[http://team.servelots.com/my/rohit/panel-a9.jpg panel-a9.jpg] '''

This panel depicts Ramayana scene where Hanuman(d) is singing to Rama(c) and Sita(b), Vanaras(a) are standing behind.

# Marked on mural as '''a''' : Vanaras
# Marked on mural as '''b''' : Sita
# Marked on mural as '''c''' : Rama
# Marked on mural as '''d''' : Hanuman

'''Annotation of panel-a10-Manuneethi.jpg'''

[http://team.servelots.com/my/rohit/panel-a10-Manuneethi.jpg panel-a10-Manuneethi.jpg] '''

# (Still under research)

'''Annotation of panel-a13.jpg'''

[http://team.servelots.com/my/rohit/panel-a13.jpg panel-a13.jpg] '''

Vishnu, Maids in attendance of Shiva, Parvati , Shiva, Brahma,

# Marked on mural as '''a''' : Musicians
# Marked on mural as '''b''' : Lady attendants
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : (Still under research)
# Marked on mural as '''e''' : Lady Attendants
# Marked on mural as '''f''' : Shiva
# Marked on mural as '''g''' : Brahma
# Marked on mural as '''h''' : (Still under research)

'''Annotation of panel-a4.jpg'''

[http://team.servelots.com/my/rohit/panel-a4.jpg panel-a4.jpg] '''
# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : Daemon in the form of Boar
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : Shiva and Parvati in the form of Hunters known as Kirataka(hunter).
# Marked on mural as '''e''' : Boar
# Marked on mural as '''f''' : Shiva and Parvati in the form of Hunters
# Marked on mural as '''g''' : (Still under research)
# Marked on mural as '''h''' : (Still under research)
# Marked on mural as '''i''' : Shiva and Parvati on Nandi
# Marked on mural as '''j''' : Two Dwarfs
# Marked on mural as '''k''' : Brahma
# Marked on mural as '''l''' : Hayagriva
# Marked on mural as '''m''' : Indra
# Marked on mural as '''n''' : Brahman
# Marked on mural as '''o''' : Parvati and attendant
# Marked on mural as '''p''' : God Shiva
# Marked on mural as '''q''' : (Still under research)

Gods Attending Shiva's marriage,Two dwarf attendants are receiving other gods, Brahma, Hayagreeva, Indra , Brahman, shiva,
Brahmin/priest wearing the peculiar turban occurs in this Lepakshi mural. Behind the Brahmin is God Indra, dressed in fine costume loaded with jewelry. Hayagriva of the horse face is slightly timid and held back by a flicker of fear. Brahma, as a father figure with three head is standing behind Hayagriva.
Two dwarfs attendants are eagerly receiving the other gods who are arriving the wedding of God Shiva. They are in tense stance infused in this painting showing recognition of the important event.

'''Annotation of panel-a2b.jpg'''

[http://team.servelots.com/my/rohit/panel-a2b.jpg panel-a2b.jpg] '''

# Marked on mural as '''a''' : Krishna on Peepal Leaf being worshipped

GKDemo-Annotation

2013-02-06T07:17:50Z

122.166.93.246:

[http://team.servelots.com/my/rohit/Lepakshi_a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers (A) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

----

== Annotation of Mural by Rohit ==

'''Annotation of panel-a1.jpg'''

[http://team.servelots.com/my/rohit/panel-a1.jpg Panel-a1.jpg] '''

Draupadi Swayamvara, Arjuna, Krishna and Pandavas depicted

# Marked on mural as '''a''' : Krishna
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Five pandavas
# Marked on mural as '''d''' : (Still under research)

'''Annotation of panel-a4north-KIRATA ARJUNEYAM.jpg'''

[http://team.servelots.com/my/rohit/panel-a4north-KIRATA%20ARJUNEYAM.jpg panel-a4north-KIRATA ARJUNEYAM.jpg] '''

Arjuna penance, Shiva bless Arjuna

# Marked on mural as '''a''' : Arjuna in Penance
# Marked on mural as '''b''' : Arjuna bowing down to Shiva
# Marked on mural as '''c''' : Shiva blessing Arjuna

'''Annotation of panel-a7-Bhookailasa-web4mb.jpg'''

[http://team.servelots.com/my/rohit/panel-a7-Bhookailasa-web4mb.jpg panel-a7-Bhookailasa-web4mb.jpg] '''

(Followed by Male Companion) Ravana, Parvati(Drapery), Shiva in Raudra avatar(anger in the face expecting Ravana), Hayagreeva.

# Marked on mural as '''a''' : Male Companions
# Marked on mural as '''b''' : Ravana
# Marked on mural as '''c''' : Lady attendants
# Marked on mural as '''d''' : Parvati
# Marked on mural as '''e''' : Shiva
# Marked on mural as '''f''' : Hayagriva

God Shiva in dynamic action with anger is expecting the arrival of Ravana. Ravana is followed by male companion. Parvati is on Shiva's right with a lady attendant. Brushwork recreates Rudra or fierce mood of Shiva. The color contrasts with pastel shades and monochrome of male attendant with decorative draperies of Parvati with her companion.

'''Annotation of panel-A8.jpg'''

[http://team.servelots.com/my/rohit/panel-A8.jpg panel-A8.jpg] '''

This mural depicts Rama holding bow. Other images are still under research

# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Rama

'''Annotation of panel-a9.jpg'''

[http://team.servelots.com/my/rohit/panel-a9.jpg panel-a9.jpg] '''

This panel depicts Ramayana scene where Hanuman(d) is singing to Rama(c) and Sita(b), Vanaras(a) are standing behind.

# Marked on mural as '''a''' : Vanaras
# Marked on mural as '''b''' : Sita
# Marked on mural as '''c''' : Rama
# Marked on mural as '''d''' : Hanuman

'''Annotation of panel-a10-Manuneethi.jpg'''

[http://team.servelots.com/my/rohit/panel-a10-Manuneethi.jpg panel-a10-Manuneethi.jpg] '''

# (Still under research)

'''Annotation of panel-a13.jpg'''

[http://team.servelots.com/my/rohit/panel-a13.jpg panel-a13.jpg] '''

Vishnu, Maids in attendance of Shiva, Parvati , Shiva, Brahma,

# Marked on mural as '''a''' : Musicians
# Marked on mural as '''b''' : Lady attendants
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : (Still under research)
# Marked on mural as '''e''' : Lady Attendants
# Marked on mural as '''f''' : Shiva
# Marked on mural as '''g''' : Brahma
# Marked on mural as '''h''' : (Still under research)

'''Annotation of panel-a4.jpg'''

[http://team.servelots.com/my/rohit/panel-a4.jpg panel-a4.jpg] '''
# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : Daemon in the form of Boar
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : Shiva and Parvati in the form of Hunters known as Kirataka(hunter).
# Marked on mural as '''e''' : Boar
# Marked on mural as '''f''' : Shiva and Parvati in the form of Hunters
# Marked on mural as '''g''' : (Still under research)
# Marked on mural as '''h''' : (Still under research)
# Marked on mural as '''i''' : Shiva and Parvati on Nandi
# Marked on mural as '''j''' : Two Dwarfs
# Marked on mural as '''k''' : Brahma
# Marked on mural as '''l''' : Hayagriva
# Marked on mural as '''m''' : Indra
# Marked on mural as '''n''' : Brahman
# Marked on mural as '''o''' : Parvati and attendant
# Marked on mural as '''p''' : God Shiva
# Marked on mural as '''q''' : (Still under research)

Gods Attending Shiva's marriage,Two dwarf attendants are receiving other gods, Brahma, Hayagreeva, Indra , Brahman, shiva,
Brahmin/priest wearing the peculiar turban occurs in this Lepakshi mural. Behind the Brahmin is God Indra, dressed in fine costume loaded with jewelry. Hayagriva of the horse face is slightly timid and held back by a flicker of fear. Brahma, as a father figure with three head is standing behind Hayagriva.
Two dwarfs attendants are eagerly receiving the other gods who are arriving the wedding of God Shiva. They are in tense stance infused in this painting showing recognition of the important event.

'''Annotation of panel-a2b.jpg'''

[http://team.servelots.com/my/rohit/panel-a2b.jpg panel-a2b.jpg] '''

# Marked on mural as '''a''' : Krishna on Peepal Leaf being worshipped

GKDemo-Annotation

2013-02-06T07:17:25Z

122.166.93.246:

[http://team.servelots.com/my/rohit/Lepakshi_a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers (A) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

----

== Annotation of Mural by Rohit ==

----
'''Annotation of panel-a1.jpg'''

[http://team.servelots.com/my/rohit/panel-a1.jpg Panel-a1.jpg] '''

Draupadi Swayamvara, Arjuna, Krishna and Pandavas depicted

# Marked on mural as '''a''' : Krishna
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Five pandavas
# Marked on mural as '''d''' : (Still under research)

'''Annotation of panel-a4north-KIRATA ARJUNEYAM.jpg'''

[http://team.servelots.com/my/rohit/panel-a4north-KIRATA%20ARJUNEYAM.jpg panel-a4north-KIRATA ARJUNEYAM.jpg] '''

Arjuna penance, Shiva bless Arjuna

# Marked on mural as '''a''' : Arjuna in Penance
# Marked on mural as '''b''' : Arjuna bowing down to Shiva
# Marked on mural as '''c''' : Shiva blessing Arjuna

'''Annotation of panel-a7-Bhookailasa-web4mb.jpg'''

[http://team.servelots.com/my/rohit/panel-a7-Bhookailasa-web4mb.jpg panel-a7-Bhookailasa-web4mb.jpg] '''

(Followed by Male Companion) Ravana, Parvati(Drapery), Shiva in Raudra avatar(anger in the face expecting Ravana), Hayagreeva.

# Marked on mural as '''a''' : Male Companions
# Marked on mural as '''b''' : Ravana
# Marked on mural as '''c''' : Lady attendants
# Marked on mural as '''d''' : Parvati
# Marked on mural as '''e''' : Shiva
# Marked on mural as '''f''' : Hayagriva

God Shiva in dynamic action with anger is expecting the arrival of Ravana. Ravana is followed by male companion. Parvati is on Shiva's right with a lady attendant. Brushwork recreates Rudra or fierce mood of Shiva. The color contrasts with pastel shades and monochrome of male attendant with decorative draperies of Parvati with her companion.

'''Annotation of panel-A8.jpg'''

[http://team.servelots.com/my/rohit/panel-A8.jpg panel-A8.jpg] '''

This mural depicts Rama holding bow. Other images are still under research

# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Rama

'''Annotation of panel-a9.jpg'''

[http://team.servelots.com/my/rohit/panel-a9.jpg panel-a9.jpg] '''

This panel depicts Ramayana scene where Hanuman(d) is singing to Rama(c) and Sita(b), Vanaras(a) are standing behind.

# Marked on mural as '''a''' : Vanaras
# Marked on mural as '''b''' : Sita
# Marked on mural as '''c''' : Rama
# Marked on mural as '''d''' : Hanuman

'''Annotation of panel-a10-Manuneethi.jpg'''

[http://team.servelots.com/my/rohit/panel-a10-Manuneethi.jpg panel-a10-Manuneethi.jpg] '''

# (Still under research)

'''Annotation of panel-a13.jpg'''

[http://team.servelots.com/my/rohit/panel-a13.jpg panel-a13.jpg] '''

Vishnu, Maids in attendance of Shiva, Parvati , Shiva, Brahma,

# Marked on mural as '''a''' : Musicians
# Marked on mural as '''b''' : Lady attendants
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : (Still under research)
# Marked on mural as '''e''' : Lady Attendants
# Marked on mural as '''f''' : Shiva
# Marked on mural as '''g''' : Brahma
# Marked on mural as '''h''' : (Still under research)

'''Annotation of panel-a4.jpg'''

[http://team.servelots.com/my/rohit/panel-a4.jpg panel-a4.jpg] '''
# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : Daemon in the form of Boar
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : Shiva and Parvati in the form of Hunters known as Kirataka(hunter).
# Marked on mural as '''e''' : Boar
# Marked on mural as '''f''' : Shiva and Parvati in the form of Hunters
# Marked on mural as '''g''' : (Still under research)
# Marked on mural as '''h''' : (Still under research)
# Marked on mural as '''i''' : Shiva and Parvati on Nandi
# Marked on mural as '''j''' : Two Dwarfs
# Marked on mural as '''k''' : Brahma
# Marked on mural as '''l''' : Hayagriva
# Marked on mural as '''m''' : Indra
# Marked on mural as '''n''' : Brahman
# Marked on mural as '''o''' : Parvati and attendant
# Marked on mural as '''p''' : God Shiva
# Marked on mural as '''q''' : (Still under research)

Gods Attending Shiva's marriage,Two dwarf attendants are receiving other gods, Brahma, Hayagreeva, Indra , Brahman, shiva,
Brahmin/priest wearing the peculiar turban occurs in this Lepakshi mural. Behind the Brahmin is God Indra, dressed in fine costume loaded with jewelry. Hayagriva of the horse face is slightly timid and held back by a flicker of fear. Brahma, as a father figure with three head is standing behind Hayagriva.
Two dwarfs attendants are eagerly receiving the other gods who are arriving the wedding of God Shiva. They are in tense stance infused in this painting showing recognition of the important event.

'''Annotation of panel-a2b.jpg'''

[http://team.servelots.com/my/rohit/panel-a2b.jpg panel-a2b.jpg] '''

# Marked on mural as '''a''' : Krishna on Peepal Leaf being worshipped

GKDemo-Annotation

2013-02-06T07:14:55Z

122.166.93.246:

[http://team.servelots.com/my/rohit/Lepakshi_a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers (A) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

----

== Annotation of Mural by Rohit ==

----
'''Annotation of panel-a1.jpg'''

[http://team.servelots.com/my/rohit/panel-a1.jpg Panel-a1.jpg] '''

Draupadi Swayamvara, Arjuna, Krishna and Pandavas depicted

# Marked on mural as '''a''' : Krishna
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Five pandavas
# Marked on mural as '''d''' : (Still under research)

'''Annotation of panel-a4north-KIRATA ARJUNEYAM.jpg'''

[http://team.servelots.com/my/rohit/panel-a4north-KIRATA ARJUNEYAM.jpg panel-a4north-KIRATA ARJUNEYAM.jpg] '''

Arjuna penance, Shiva bless Arjuna

# Marked on mural as '''a''' : Arjuna in Penance
# Marked on mural as '''b''' : Arjuna bowing down to Shiva
# Marked on mural as '''c''' : Shiva blessing Arjuna

'''Annotation of panel-a7-Bhookailasa-web4mb.jpg'''

[http://team.servelots.com/my/rohit/panel-a7-Bhookailasa-web4mb.jpg panel-a7-Bhookailasa-web4mb.jpg] '''

(Followed by Male Companion) Ravana, Parvati(Drapery), Shiva in Raudra avatar(anger in the face expecting Ravana), Hayagreeva.

# Marked on mural as '''a''' : Male Companions
# Marked on mural as '''b''' : Ravana
# Marked on mural as '''c''' : Lady attendants
# Marked on mural as '''d''' : Parvati
# Marked on mural as '''e''' : Shiva
# Marked on mural as '''f''' : Hayagriva

God Shiva in dynamic action with anger is expecting the arrival of Ravana. Ravana is followed by male companion. Parvati is on Shiva's right with a lady attendant. Brushwork recreates Rudra or fierce mood of Shiva. The color contrasts with pastel shades and monochrome of male attendant with decorative draperies of Parvati with her companion.

'''Annotation of panel-A8.jpg'''

[http://team.servelots.com/my/rohit/panel-A8.jpg panel-A8.jpg] '''

This mural depicts Rama holding bow. Other images are still under research

# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : (Still under research)
# Marked on mural as '''c''' : Rama

'''Annotation of panel-a9.jpg'''

[http://team.servelots.com/my/rohit/panel-a9.jpg panel-a9.jpg] '''

This panel depicts Ramayana scene where Hanuman(d) is singing to Rama(c) and Sita(b), Vanaras(a) are standing behind.

# Marked on mural as '''a''' : Vanaras
# Marked on mural as '''b''' : Sita
# Marked on mural as '''c''' : Rama
# Marked on mural as '''d''' : Hanuman

'''Annotation of panel-a10-Manuneethi.jpg'''

[http://team.servelots.com/my/rohit/panel-a10-Manuneethi.jpg panel-a10-Manuneethi.jpg] '''

# (Still under research)

'''Annotation of panel-a13.jpg'''

[http://team.servelots.com/my/rohit/panel-a13.jpg panel-a13.jpg] '''

Vishnu, Maids in attendance of Shiva, Parvati , Shiva, Brahma,

# Marked on mural as '''a''' : Musicians
# Marked on mural as '''b''' : Lady attendants
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : (Still under research)
# Marked on mural as '''e''' : Lady Attendants
# Marked on mural as '''f''' : Shiva
# Marked on mural as '''g''' : Brahma
# Marked on mural as '''h''' : (Still under research)

'''Annotation of panel-a4.jpg'''
[http://team.servelots.com/my/rohit/panel-a4.jpg panel-a4.jpg] '''
# Marked on mural as '''a''' : (Still under research)
# Marked on mural as '''b''' : Daemon in the form of Boar
# Marked on mural as '''c''' : (Still under research)
# Marked on mural as '''d''' : Shiva and Parvati in the form of Hunters known as Kirataka(hunter).
# Marked on mural as '''e''' : Boar
# Marked on mural as '''f''' : Shiva and Parvati in the form of Hunters
# Marked on mural as '''g''' : (Still under research)
# Marked on mural as '''h''' : (Still under research)
# Marked on mural as '''i''' : Shiva and Parvati on Nandi
# Marked on mural as '''j''' : Two Dwarfs
# Marked on mural as '''k''' : Brahma
# Marked on mural as '''l''' : Hayagriva
# Marked on mural as '''m''' : Indra
# Marked on mural as '''n''' : Brahman
# Marked on mural as '''o''' : Parvati and attendant
# Marked on mural as '''p''' : God Shiva
# Marked on mural as '''q''' : (Still under research)

Gods Attending Shiva's marriage,Two dwarf attendants are receiving other gods, Brahma, Hayagreeva, Indra , Brahman, shiva,
Brahmin/priest wearing the peculiar turban occurs in this Lepakshi mural. Behind the Brahmin is God Indra, dressed in fine costume loaded with jewelry. Hayagriva of the horse face is slightly timid and held back by a flicker of fear. Brahma, as a father figure with three head is standing behind Hayagriva.
Two dwarfs attendants are eagerly receiving the other gods who are arriving the wedding of God Shiva. They are in tense stance infused in this painting showing recognition of the important event.

'''Annotation of panel-a2b.jpg'''
[http://team.servelots.com/my/rohit/panel-a2b.jpg panel-a2b.jpg] '''

# Marked on mural as '''a''' : Krishna on Peepal Leaf being worshipped

GKDemo-Annotation

2013-02-06T06:50:50Z

122.166.93.246:

GKDemo-Annotation

2013-01-15T12:04:40Z

122.166.93.246:

GKDemo-Annotation

2013-01-15T12:03:52Z

122.166.93.246:

GKDemo-Annotation

2013-01-15T11:57:34Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi_a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

GKDemo-Annotation

2013-01-15T10:17:13Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/Lepakshi-a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

GKDemo-Annotation

2013-01-15T10:11:39Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a1.png Lepakshi panel-a2a.jpg] '''

[http://team.servelots.com/my/rohit/a2a-1a.jpg a2a-1a.jpg] '''

[http://team.servelots.com/my/rohit/a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

GKDemo-Annotation

2013-01-15T10:09:45Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a1.png Lepakshi panel-a2a.jpg] '''
[http://team.servelots.com/my/rohit/Lepakshiimages/a2a-1a.jpg a2a-1a.jpg] '''
[http://team.servelots.com/my/rohit/Lepakshiimages/a2a-2a.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

GKDemo-Annotation

2013-01-15T10:06:17Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a1.png Lepakshi panel-a2a.jpg] '''
[http://team.servelots.com/my/rohit/Lepakshiimages/image1.jpg a2a-1a.jpg] '''
[http://team.servelots.com/my/rohit/Lepakshiimages/image2.jpg a2a-2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

GKDemo-Annotation

2013-01-15T09:37:43Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a1.png Lepakshi panel-a2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

<gallery>
File:Example.jpg|Caption1
File:Example.jpg|Caption2
</gallery>

GKDemo-Annotation

2013-01-15T08:33:18Z

122.166.93.246:

[http://team.servelots.com/my/rohit/lepakshi-a2a.jpg Lepakshi panel-a2a.jpg] '''

== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

<gallery>
File:Example.jpg|Caption1
File:Example.jpg|Caption2
</gallery>

GKDemo-Annotation

2013-01-11T13:22:12Z

122.166.93.246:

[http://iiacd.org/lepakshi/lepakshimap/Lepakshi/panel-a2a.jpg Lepakshi panel-a2a.jpg] '''
== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a''' . '''Bodily Decorum'''

Marked as '''a1''', '''a2''', '''a3''' on the Mural
# Folded arms modesty
# Anjali Mudra for respect/worship
# Raised arms excitement hailing

'''b''' . '''Islamicate culture of Vijayangara court.'''
Ex: Dress - Kabayi, Persian word.

Marked as '''b1''', '''b2''', '''b3''', '''b4''' on the Mural
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c''' . '''Textiles: Type, Material, Pattern, Motif etc.,'''

Marked as '''c1''', '''c2''', '''c*''', '''c♦''' on the Mural
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
## Arabian Persian or Trade Fabric : Velvet/damask/satin.
# Cotton or Silk fine local textiles of resist dye technique
## * Telia Rumal ikat from chirala, AndraPradesh area
## ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

<gallery>
File:Example.jpg|Caption1
File:Example.jpg|Caption2
</gallery>

GKDemo-Annotation

2013-01-11T11:56:07Z

122.166.93.246:

[http://iiacd.org/lepakshi/lepakshimap/Lepakshi/panel-a2a.jpg Lepakshi panel-a2a.jpg] '''
== Mural Annotation of Lepakshi ==
'''

Vijayanagara Courtiers(a) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali

'''a'''
# one
# two
# three

'''b'''
# Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
# Kabayi length indicates status of courtier
# Kultayi- Conical cap
# Arabesque floral pattern on Kultayi

'''c'''.
# Textiles: Type, Material, Pattern, Motif etc.,
# Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts). Arab , Persian or Trade fabric. Velvet/damask/satin. Cotton or Silk fine local textiles of resist dye technique
* Telia Rumal ikat from chirala, AndraPradesh area
♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade

<gallery>
File:Example.jpg|Caption1
File:Example.jpg|Caption2
</gallery>

DEV2013

2013-01-09T11:37:47Z

122.166.93.246:

==Janastu Poster at DEV 2013, Bangalore==

===Current Work===

{| align="center" border="1" cellpadding="1" cellspacing="1" style="width: 500px;"text-align: center; vertical-align: middle;"
! Annotations for Accessibility and Knowledge Networking
|-
|

[[Alipi]] Re-narration Web.

[[Mural Annotation]] iiacd.org
[[Lepakshi Temple Map]] iiacd.org/lepakshi

[[Sweet Web]] swtr.us

[[IDH Knowledge Bank]] vijayanagara.in

|-

|

[[Socionity]] iiith

[[Follow the Sheep]] mitan.in/followsheep and mitan.in/bcp

|-

|

[[POP]] Principles of Programming for Web 2.0 students

[[Pantoto]] Community managed community knowledge

|-

|

[[CR and Digital Media Rights]]

[[Inventory Management]] - A visual web interface for small scale local industries

|}

CR and Digital Media Rigths

2013-01-09T09:46:49Z

122.166.93.246:

Community Radio and Digital Media Rights

== Project ==

== Method ==

== Demo ==

== Repository ==

DEV2013

2013-01-08T14:07:24Z

122.166.93.246:

<h1><em><big><strong>Janastu</strong></big></em></h1>
<h2><strong>Overview</strong></h2>
<h3><strong>Projects</strong>
<strong>        </strong></h3>

{| align="center" border="1" cellpadding="1" cellspacing="1" style="width: 500px;"
| style="text-align: center; vertical-align: middle;" | <p>[[Alipi]]</p>
| style="text-align: center; vertical-align: middle;" | [[Maraa]]
| style="text-align: center; vertical-align: middle;" | [[Socionity]]
|-
| style="text-align: center; vertical-align: middle;" | <p>[[Sweet web]]</p>
| style="text-align: center; vertical-align: middle;" | [[Mural Annotation]]
| style="text-align: center; vertical-align: middle;" | [[Follow the Sheep]]
|-
| style="text-align: center; vertical-align: middle;" | [[IDH Knowledge Bank]]
| style="text-align: center; vertical-align: middle;" | [[Pantoto]]
| style="text-align: center; vertical-align: middle;" | <p>[[POP]]</p>
|-
| colspan="3" style="text-align: center; vertical-align: middle;" | <p>[[Lepakshi Temple Map]]</p>
|}

DEV2013

2013-01-08T13:49:13Z

122.166.93.246:

<h1><em><big><strong>Janastu</strong></big></em></h1><h2><strong>Overview</strong></h2><h3><strong>Projects</strong><strong>        </strong></h3>
{| align="center" border="1" cellpadding="1" cellspacing="1" style="width: 500px;"
| style="text-align: center; vertical-align: middle;" | <p>[[Alipi]]</p>
| style="text-align: center; vertical-align: middle;" | [[Maraa]]
| style="text-align: center; vertical-align: middle;" | [[Socionity]]
|-
| style="text-align: center; vertical-align: middle;" | <p>[[Sweet web]]</p>
| style="text-align: center; vertical-align: middle;" | [[Mural Annotation]]
| style="text-align: center; vertical-align: middle;" | [[Follow the Sheep]]
|-
| style="text-align: center; vertical-align: middle;" | [[IDH Knowledge Bank]]
| style="text-align: center; vertical-align: middle;" | [[Pantoto]]
| style="text-align: center; vertical-align: middle;" | <p>[[POP]]</p>
|-
| colspan="3" style="text-align: center; vertical-align: middle;" | <p>[[Lepakshi Temple Map]]</p>
|}

POP

2013-01-08T12:04:32Z

122.166.93.246:

POP project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

Lepakshi Temple Map

2013-01-08T12:04:07Z

122.166.93.246:

Lepakshi Temple Map project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

IDH Knowledge Bank

2013-01-08T12:02:48Z

122.166.93.246:

IDH Knowledge Bank project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

Follow the Sheep

2013-01-08T12:02:27Z

122.166.93.246:

Follow the Sheep project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

Mural Annotation

2013-01-08T12:01:41Z

122.166.93.246:

Mural Annotation project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

Socionity

2013-01-08T12:00:06Z

122.166.93.246:

Socionity project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

Maraa

2013-01-08T11:59:23Z

122.166.93.246:

Maraa project

== Project ==

== Method ==

== Demo ==

== Repository ==

[[category:]]

DEV2013

2013-01-08T11:35:29Z

122.166.93.246:

=== '''JANASTU''' ===

[[Alipi]]
[[Maraa]]
[[Socionity]]
[[Sweet web]]
[[Mural Annotation]]
[[Follow the Sheep]]
[[IDH Knowledge Bank]]
[[Pantoto]]
[[POP]]
[[Lepakshi Temple Map]]

DEV2013

2013-01-08T11:23:20Z

122.166.93.246:

=== '''JANASTU''' ===
[[alipi]]
[[socionity]]
[[sweet web]]
----

== Projects ==

{|style="width: 60%; height: 200px" border="1" class="wikitable"
|+Projects Handled by Janastu Team
! No.
! Project Name
! Web Address
|-
! 1
| Alipi || [http://www.alipi.us www.alipi.us]
|-
! 2
| Mural Annotation ||
|-
! 3
| IDH Knowledge Bank ||
|-
! 4
| Sweet Web ||
|-
! 5
| Pantoto ||
|-
! 6
| Follow the Sheep ||
|-
! 7
| Lepakshi Temple Map ||
|-
! 8
| POP ||
|-
! 9
| Socionity ||

|}

----

=== Alipi ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====

----

=== Mural Annotation ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====

----

=== IDH Knowledge Bank ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== Sweet Web ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== Pantoto ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== Follow the Sheep ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== Lepakshi Temple Map ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== POP ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----

=== Socionity ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====
----
== Team ==
----

== Contact Us ==
----

DEV2013

2013-01-08T11:16:44Z

122.166.93.246:

=== '''JANASTU''' ===

----

== Projects ==

{|style="width: 60%; height: 200px" border="1" class="wikitable"
|+Projects Handled by Janastu Team
! No.
! Project Name
! Web Address
|-
! 1
| Alipi || [http://www.alipi.us www.alipi.us]
|-
! 2
| Mural Annotation ||
|-
! 3
| IDH Knowledge Bank ||
|-
! 4
| Sweet Web ||
|-
! 5
| Pantoto ||
|-
! 6
| Follow the Sheep ||
|-
! 7
| Lepakshi Temple Map ||
|-
! 8
| POP ||
|-
! 9
| Socionity ||

|}

----

=== Alipi ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====

----

=== Mural Annotation ===
----

==== Project ====

==== Method ====

==== Demo ====

==== Repository ====

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=== IDH Knowledge Bank ===
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==== Project ====

==== Method ====

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=== Sweet Web ===
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==== Project ====

==== Method ====

==== Demo ====

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=== Pantoto ===
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==== Project ====

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=== Follow the Sheep ===
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==== Project ====

==== Method ====

==== Demo ====

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=== Lepakshi Temple Map ===
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==== Project ====

==== Method ====

==== Demo ====

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=== POP ===
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==== Project ====

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==== Demo ====

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=== Socionity ===
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==== Project ====

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== Team ==
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== Contact Us ==
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