|
|
| Line 41: |
Line 41: |
| | | | |
| | ---- | | ---- |
| − |
| |
| − |
| |
| − | == Annotation of Lepakshi Murals by Rohit ==
| |
| − |
| |
| − | '''Annotation of panel-a1.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a1.jpg Panel-a1.jpg] '''
| |
| − |
| |
| − | Draupadi Swayamvara, Arjuna, Krishna and Pandavas depicted
| |
| − |
| |
| − | # Marked on mural as '''a''' : Krishna
| |
| − | # Marked on mural as '''b''' : (Still under research)
| |
| − | # Marked on mural as '''c''' : Five pandavas
| |
| − | # Marked on mural as '''d''' : (Still under research)
| |
| − |
| |
| − |
| |
| − | '''Annotation of panel-a4north-KIRATA ARJUNEYAM.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a4north-KIRATA%20ARJUNEYAM.jpg panel-a4north-KIRATA ARJUNEYAM.jpg] '''
| |
| − |
| |
| − | Arjuna penance, Shiva bless Arjuna
| |
| − |
| |
| − | # Marked on mural as '''a''' : Arjuna in Penance
| |
| − | # Marked on mural as '''b''' : Arjuna bowing down to Shiva
| |
| − | # Marked on mural as '''c''' : Shiva blessing Arjuna
| |
| − |
| |
| − |
| |
| − |
| |
| − | '''Annotation of panel-a7-Bhookailasa-web4mb.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a7-Bhookailasa-web4mb.jpg panel-a7-Bhookailasa-web4mb.jpg] '''
| |
| − |
| |
| − | (Followed by Male Companion) Ravana, Parvati(Drapery), Shiva in Raudra avatar(anger in the face expecting Ravana), Hayagreeva.
| |
| − |
| |
| − | # Marked on mural as '''a''' : Male Companions
| |
| − | # Marked on mural as '''b''' : Ravana
| |
| − | # Marked on mural as '''c''' : Lady attendants
| |
| − | # Marked on mural as '''d''' : Parvati
| |
| − | # Marked on mural as '''e''' : Shiva
| |
| − | # Marked on mural as '''f''' : Hayagriva
| |
| − |
| |
| − | God Shiva in dynamic action with anger is expecting the arrival of Ravana. Ravana is followed by male companion. Parvati is on Shiva's right with a lady attendant. Brushwork recreates Rudra or fierce mood of Shiva. The color contrasts with pastel shades and monochrome of male attendant with decorative draperies of Parvati with her companion.
| |
| − |
| |
| − | '''Annotation of panel-A8.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-A8.jpg panel-A8.jpg] '''
| |
| − |
| |
| − | This mural depicts Rama holding bow. Other images are still under research
| |
| − |
| |
| − | # Marked on mural as '''a''' : (Still under research)
| |
| − | # Marked on mural as '''b''' : (Still under research)
| |
| − | # Marked on mural as '''c''' : Rama
| |
| − |
| |
| − |
| |
| − | '''Annotation of panel-a9.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a9.jpg panel-a9.jpg] '''
| |
| − |
| |
| − | This panel depicts Ramayana scene where Hanuman(d) is singing to Rama(c) and Sita(b), Vanaras(a) are standing behind.
| |
| − |
| |
| − | # Marked on mural as '''a''' : Vanaras
| |
| − | # Marked on mural as '''b''' : Sita
| |
| − | # Marked on mural as '''c''' : Rama
| |
| − | # Marked on mural as '''d''' : Hanuman
| |
| − |
| |
| − | '''Annotation of panel-a10-Manuneethi.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a10-Manuneethi.jpg panel-a10-Manuneethi.jpg] '''
| |
| − |
| |
| − | # (Still under research)
| |
| − |
| |
| − | '''Annotation of panel-a13.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a13.jpg panel-a13.jpg] '''
| |
| − |
| |
| − | Vishnu, Maids in attendance of Shiva, Parvati , Shiva, Brahma,
| |
| − |
| |
| − | # Marked on mural as '''a''' : Musicians
| |
| − | # Marked on mural as '''b''' : Lady attendants
| |
| − | # Marked on mural as '''c''' : (Still under research)
| |
| − | # Marked on mural as '''d''' : (Still under research)
| |
| − | # Marked on mural as '''e''' : Lady Attendants
| |
| − | # Marked on mural as '''f''' : Shiva
| |
| − | # Marked on mural as '''g''' : Brahma
| |
| − | # Marked on mural as '''h''' : (Still under research)
| |
| − |
| |
| − |
| |
| − | '''Annotation of panel-a4.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a4.jpg panel-a4.jpg] '''
| |
| − | # Marked on mural as '''a''' : (Still under research)
| |
| − | # Marked on mural as '''b''' : Daemon in the form of Boar
| |
| − | # Marked on mural as '''c''' : (Still under research)
| |
| − | # Marked on mural as '''d''' : Shiva and Parvati in the form of Hunters known as Kirataka(hunter).
| |
| − | # Marked on mural as '''e''' : Boar
| |
| − | # Marked on mural as '''f''' : Shiva and Parvati in the form of Hunters
| |
| − | # Marked on mural as '''g''' : (Still under research)
| |
| − | # Marked on mural as '''h''' : (Still under research)
| |
| − | # Marked on mural as '''i''' : Shiva and Parvati on Nandi
| |
| − | # Marked on mural as '''j''' : Two Dwarfs
| |
| − | # Marked on mural as '''k''' : Brahma
| |
| − | # Marked on mural as '''l''' : Hayagriva
| |
| − | # Marked on mural as '''m''' : Indra
| |
| − | # Marked on mural as '''n''' : Brahman
| |
| − | # Marked on mural as '''o''' : Parvati and attendant
| |
| − | # Marked on mural as '''p''' : God Shiva
| |
| − | # Marked on mural as '''q''' : (Still under research)
| |
| − |
| |
| − | Gods Attending Shiva's marriage,Two dwarf attendants are receiving other gods, Brahma, Hayagreeva, Indra , Brahman, shiva,
| |
| − | Brahmin/priest wearing the peculiar turban occurs in this Lepakshi mural. Behind the Brahmin is God Indra, dressed in fine costume loaded with jewelry. Hayagriva of the horse face is slightly timid and held back by a flicker of fear. Brahma, as a father figure with three head is standing behind Hayagriva.
| |
| − | Two dwarfs attendants are eagerly receiving the other gods who are arriving the wedding of God Shiva. They are in tense stance infused in this painting showing recognition of the important event.
| |
| − |
| |
| − |
| |
| − | '''Annotation of panel-a2b.jpg'''
| |
| − |
| |
| − | [http://team.servelots.com/my/rohit/panel-a2b.jpg panel-a2b.jpg] '''
| |
| − |
| |
| − | # Marked on mural as '''a''' : Krishna on Peepal Leaf being worshipped
| |
Note: This page is an activity page. If there are broken links, please contact iiacd.org
Lepakshi panel-a2a.jpg
a2a-1a.jpg
a2a-2a.jpg
Mural Annotation of Lepakshi
Vijayanagara Courtiers (A) in Darbar style dress getting ready to worship Veerabhadra and Bhadrakali
a . Bodily Decorum
Marked as a1, a2, a3 on the Mural
- Folded arms modesty
- Anjali Mudra for respect/worship
- Raised arms excitement hailing
b . Islamicate culture of Vijayangara court.
Ex: Dress - Kabayi, Persian word.
Marked as b1, b2, b3, b4 on the Mural
- Verthema, Bolognese traveler says white kabayi worn by rich whereas poor nearly naked
- Kabayi length indicates status of courtier
- Kultayi- Conical cap
- Arabesque floral pattern on Kultayi
c . Textiles: Type, Material, Pattern, Motif etc.,
Marked as c1, c2, c*, c♦ on the Mural
- Cotton, Silk or brocade (Portuguese contempt and Persian Traveler accounts).
- Arabian Persian or Trade Fabric : Velvet/damask/satin.
- Cotton or Silk fine local textiles of resist dye technique
- * Telia Rumal ikat from chirala, AndraPradesh area
- ♦ Arabesque floral pattern on Kullayi kalamkari. Merging of the floral lata with Islamic ornament + brocade
